Organisation *
Position in organisation *
Contact details *
Physical address *
City *
Postcode *
Province * Select Province Eastern Cape Free State Third Gauteng KwaZulu-Natal Limpopo Mpumalanga Northern Cape North West Western Cape
Phone *
Email *
You've answered "Other" in a previous question, please describe *
If your answer was "Other" above, please describe your answer below
If your answer was "Other" above, please describe your answer below
1.3 How long have you been creating/recording content for live streaming? Select all the options that apply Since the March 2020 COVID-19/lockdown only For less than 12 months before COVID-19 For between 1-3 years before COVID-19 For more than 3 years before COVID-19
If your answer was "Other" above, please describe your answer below
If your answer was "Other" above, please describe your answer below
If your answer was "Other" above, please describe your answer below
If your answer was "Other" above, please describe your answer below
1.8.1 Can you give us some indication in numbers of what you mean by the answer (“Very poor” etc) you selected above. This information will only be published in an aggregated form that cannot be traced back to you.
1.9.1 Can you give us some indication in numbers of what you mean by the answer (“Very poor” etc) you selected above. This information will only be published in an aggregated form that cannot be traced back to you.
1.10 What differentiates your content from that of other South African music streaming platforms? (Your unique marketing points)
1.11 What is your creative vision for your streaming project, in terms of what it will do for music, artists, and music consumers
2.1 Who pays the film production company? Select all the options that apply An investor A corporate sponsor The venue A South African donor organisation An international donor organisation A South African government, local government or parastatal body A parent church Paid out of ticket sale revenue Sponsored by the film production company itself Other (please tell us more):
If your answer was "Other" above, please describe your answer below
2.2 Who pays the artists? Select all the options that apply An investor A corporate sponsor The venue A South African donor organisation An international donor organisation A South African government, local government or parastatal body A parent or church Paid out of ticket sale revenue Artists receive no payment Other (please tell us more)
If your answer was "Other" above, please describe your answer below
2.3 Who pays for the streaming platform/venue? Select all the options that apply An investor A corporate sponsor A South African donor organisation An international donor organisation A South African government, local government or parastatal body A parent or church Paid out of ticket sale revenue Platform/venue receives no payment Other (please tell us more)
If your answer was "Other" above, please describe your answer below
2.4 How is ticket revenue split? Select all the options that apply No tickets are sold ( go straight to Q.2.5) 100% to the streaming platform/venue 100% the the artist 50% split between streaming platform/venue and artist 33.33% split between streaming platform/venue, artist and film production company Other (tell us more):
If your answer was "Other" above, please describe your answer below
2.5 Who owns the master recording of the performance? Select all the options that apply 100% ownership streaming platform/venue 100% ownership artist 50% ownership split between streaming platform/venue and artist 33.33% ownership split between streaming platform/venue, artist and film production company Other (tell us more):
If your answer was "Other" above, please describe your answer below
2.6 Who is responsible for paying the relevant royalty collection societies (CAPASSO and SAMRO)? Select all the options that apply Streaming platform/venue Artist Film production company Not applicable (Please tell us more)
If your answer was "Not applicable" above, please describe your answer below
If your answer was "Other" above, please describe your answer below
2.8 If yes, who have you identified as potential licence partners? Select all the options that apply SABC DStv Channel O MTV Base Trace TV Trace Africa Other (please specify We have not yet identified potential licence partners We have already partnered with ...
If your answer was "Other" above, please describe your answer below
Based on your answer from 2.8, who have you already partnered with?
Based on your answer above, who will the majority of royalty income go to?
2.9 What other potential income streams for the recorded content are you planning? Select all the options that apply Subscription and/or pay-per-view Sponsorships Corporate events Educational Mechanical products i.e. DVDs Telecommunications Other (tell us more):
If your answer was "Other" above, please describe your answer below
If yes above, please comment on your experience so far
Other (please specify and provide ranking)
5.1 What benefits have you experienced from streaming?
5.2 What, if any, problems have you experienced from streaming?
5.3 What do you see as the biggest risk streaming poses, and who carries that risk?
5.4 What are the most important lessons you have learned from your experience streaming content so far?
5.5.1 “For streaming to work better, policy-makers/government need to...
5.5.2 “For streaming to work better, content providers such as my initiative need to…
5.5.3 “For streaming to work better, musicians need to…
5.5.4. “For streaming to work better, funders need to…
5.5.5. “For streaming to work better, creators need to…
5.5.6. “For streaming to work better, record labels need to…
5.5.7 For streaming to work better, royalty collection societies (e.g. SAMRO/CAPASSO) need to…
